Friday, August 6, 2010

Kate Moss becomes British Vogue cover girl for 30th time

 by Jessica Satherley 

Kate Moss is back on the cover of British Vogue again next month and it marks the 30th time the Croydon-born model has adorned the front since her first appearance as a fresh-faced hopeful in 1993.

Kate Moss on Vogue 
Kate Moss makes it onto the British Vogue September issue for the 30th time
 
Kate Moss in 1993 
Kate Moss posing on British Vogue in March 1993

Miss Moss is the face of the much anticipated September issue, falling on that particular month’s cover for the sixth time in the last decade.

A whopping 30 covers throughout her career as a British Vogue cover girl isn’t bad, and that’s not including other international editions of the magazine which she has also been spread across.

It seems the 36-year-old supermodel never loses her appeal to fashion audiences and keeps the punters buying copies off the shelves.

Kate Moss in May 2003  
Kate Moss in British Vogue, May 2003
 
Kate Moss strips naked on the cover in January 1995  
Kate Moss strips naked on the cover in January 1995
 
And with the wonders of airbrushing, the London beauty never seems to age either.

On the latest issue, Kate poses in nothing but a navy tailored coat and ankle-high patent black boots.

Looking back over Kate’s Vogue career over the past few years it seems that some things don't change - Kate can still pout with the best of them and she's certainly not afraid to lose the clothes.


Kate Moss in June 1998  
Kate Moss poses again in June 1998
 
Kate Moss in December 2001  
Kate was a true Brit in December 2001
Source:  Metro - UK

George Clooney's Girlfriend Breaks Silence About Their Romance

Italian model Elisabetta Canalis says that dating one of the most desirable bachelors in Hollywood isn't as glamorous as it might seem.




Credit Lester Cohen / Wire Image.com
 


"There are some people who just don't want to see me happy," Canalis, 31, complains of her relationship with George Clooney in the new Italian Vanity Fair.


The aspiring actress -- who was recently alleged to have been linked to a cocaine and prostitution ring in Italy -- also reveals that the constant criticism sometimes causes her to question her 11-month relationship  with the 49-year-old Up In the Air    star.                                                           

"I sometimes feel insecure, but if you are loved then you always feel great," she says. "[George] reassures me all the time. He is very close. I feel more embraced than ever before."

And while Canalis says that most of the criticism stems from jealousy, she admits that it's still hard to understand why people question her motives for dating Clooney.

''I know some women, very high profile women, who have taken his picture off their computer desktop," she tells the mag. "Maybe I should not get so stressed over it. At the end though the best way to confront this envy is to be happy, but it's just that they won't forgive."

Not that Canalis is looking for anyone else's approval -- she credits Clooney for helping her see what's most important in life.

"The idea of being so loved is overwhelming," she gushes. "George has given color back to my life. I feel great -- it's as if I am 18 years old again!"

 Photo Credit: Venteurelli



Source: US Magazine

Gray Hair Becoming Hot New Trend

(CANVAS STAFF REPORTS) - Put those tweezers down and stop plucking those gray hairs. Gray is the “it” color when it comes to hair fashion these days.

Celebrities such as Lady Gaga, Kate Moss and Kelly Osbourne have all been photographed sporting silvery locks.

And according to The Daily Mail , even '90s supermodel Kristen McMenamy has decided to let her hair go gray. She stopped dyeing it 6 years ago.

McMenamy is featured in the August issue of Vogue and told the magazine, “I thought all that gray hair would make a beautiful picture. You can get older and still be rock 'n' roll,” reported Styleist.com .

With all of these celebrities embracing the color gray, it seems that there is a trend to embrace aging instead of running from it as young people are flocking to salons requesting gray streaks and even to go completely gray.

The beauty and health director for British Vogue, Nicola Moulton, told The Telegraph , “ Stopping at nothing to look just a few years younger is starting to look dated itself … which is why I think we're seeing models and younger celebrities embracing things like wrinkles and a smattering of gray. The bottom line is, it doesn't stop a woman looking beautiful – on the contrary, it just makes her look more attractive by speaking volumes for her confidence.”

How long the trend stays around is tough to say, but the National Federation of Women's Institutes is optimistic by the variety of women being portrayed in the fashion world today.

Rod Stanley, editor of the magazine Dazed and Confused, told The Telegraph, “The trend for younger people dying their hair gray is a different thing in many ways, but of course that could make people more receptive to naturally gray hair in images.”

Source: My Fox Phoneix

Lea T naked: French Vogue (Photos)

After seeing the Lea T naked photos from French Vogue, you may not even know that this gorgeous female Givenchy model is also a man. For the Riccardo Tisci Fall 2010 Givenchy ad campaign, the transsexual was selected to represent the big wig fashion house. Read more about this controversial model and see photos here!

lea t  

Have you seen the racy Lea T naked photos yet? In case you haven’t, we have the pictures here for you to take a peek at. So who is this model that is stirring up the fashion industry with a French Vogue nude campaign? Miss T is a transsexual model. In other words, despite the fact that Lea still rocks a ball sack, she is currently taking hormone replacement therapy which will be followed by a sex change surgery to become a woman.

Now while Lea, born Leandro Cerezo, has had quite the mental battle with finding who she is, she knows that despite the way she was born she knows that even though she was born a man, a woman is what she really is. Lea is currently making the transition to become a woman. As you can imagine, this has been a horribly difficult process for Lea. Now only has she upset her Catholic family, but she has felt very alone in the midst of it all.

But it is her modeling career that surely has given Lea the satisfaction she deserves. Lea was cast alongside models Mariacarla Boscono, Malgosia Bela and Joan Smalls for a fall Givenchy campaign that have many taking notice.

But Riccardo Tisci is pleased with his choice to cast Lea for this campaign. About the model he says “She’s a true goddess. She’s always been very feminine – super-fragile, very aristocratic.”

See the Lea T naked photo from French Vogue campaign here.

What do you think of the Lea T nude photo for French Vogue?
 

lea t 2 lea t 1

Source: Right Celebrity

Thursday, August 5, 2010

Glamour Launches iPad App


Glamour hits the iPad
Glamour hits the iPad.Photo By Courtesy Photo


Glamour is the latest magazine from Condé Nast to introduce an iPad-iPhone app. Launching today, Glamour’s app follows a similar format to those already rolled out from Condé Nast Digital (including GQ and Vanity Fair) in that it offers the entire issue in a digital format, along with extras such as shopping pages that offer direct click- to-buy and extra photos. The app is launching with behind-the-scenes video of Jennifer Lopez by Ellen von Unwerth (who shot the actress for the cover) and exclusive Justin Bieber footage. “More women are starting to turn to the iPad,” said editor in chief Cindi Leive, adding that back issues will be posted and cost the same as new ones, at $3.99. The September issue makes it debut with nine “premium sponsors,” including Estée Lauder, A|X Armani Exchange, Ralph Lauren Fragrance, Levi’s and Revlon. So what’s next for future iPad issues? Leive wants to incorporate some kind of social-networking component to the application. “But that’s coming at a later date,” she noted. “We get 25,000 comments a month on glamour.com,” noting that she’d like to get some crossover to the iPad as soon as possible

Source: WWWMEDIA

Art Directors Club Announces 2010 ADC Hall of Fame Laureates

The Art Directors Club (www.adcglobal.org), the premier organization for creatives in integrated media and the first global creative collective of its kind, today announced the latest group of inductees into the prestigious ADC Hall of Fame.

The honorees, representing advertising, design, typography, illustration, photography and education, will be inducted at a creative black-tie benefit dinner on November 4, 2010, at the ADC Gallery in New York, with proceeds going toward ADC scholarship programs.

ADC Hall of Fame laureates for 2010 are:
• Fabien Baron, creative director; currently editorial director, Interview magazine
• Matthew Carter, typographer
• William Drenttel and Jessica Helfand, founders, Winterhouse
• Philip Hays (posthumous), illustrator, educator
• Brigitte Lacombe, photographer
• George Nelson (posthumous), designer, author
• Christoph Niemann, illustrator
• Dan Wieden, cofounder, Wieden+Kennedy

Bio information on all ADC Hall of Fame laureates can be found below.

ADC established the ADC Hall of Fame in 1971 as a cross-disciplinary acknowledgement of the most renowned professionals in visual arts and communications. Past inductees represent a diverse group of luminaries in those fields, including Richard Avedon, Saul Bass, Leo Burnett, Jay Chiat, Walt Disney, Charles and Ray Eames, Milton Glaser, Annie Leibovitz, Laszlo Moholy-Nagy, Paul Rand, Andy Warhol and others (for the complete list, please visit www.adcglobal.org/archive/hof/).

"ADC Hall of Fame pays lasting tribute to those whose careers have profoundly influenced the direction of their fields," said Doug Jaeger, president, ADC. "This recognition honors an ongoing lifetime of achievement that exemplifies the highest standards of creative excellence and leads the industry forward. We're proud to capture the history of our industry in the accomplishments of these laureates."

ADC Hall of Fame Selection Committee was co-chaired by ADC board members Chee Pearlman, principal, Chee Company, and Janet Froelich, creative director, Real Simple (ADC Hall of Fame laureate 2006). The full selection committee included Nicholas Blechman, art director, The New York Times Book Review; Rob Feakins, ADC board member and chief creative officer/president, Publicis New York; Louise Fili, founder, Louise Fili Ltd (ADC Hall of Fame 2004); Doug Jaeger, president, ADC; Lisa Naftolin, executive creative director, creative brand development, Nars Cosmetics; Paula Scher, partner, Pentagram (ADC Hall of Fame 1998); Massimo Vignelli, cofounder, Vignelli Associates (ADC Hall of Fame 1982) and Jeffrey Zeldman, founder/executive creative director, Happy Cog.

ADC celebrates its Hall of Fame inductions with a series of "Fame Festival 2010" events taking place at the ADC Gallery, 106 West 29th Street, New York. In addition to the gala induction dinner on November 4, three speaker events featuring the 2010 ADC Hall of Fame laureates will be held that month, dates and details to be announced soon.

An exhibition of work by these latest ADC Hall of Fame laureates will be on display and open to the public free of charge at the ADC Gallery from November 5-23, 2010.

Bio information on ADC Hall of Fame laureates 2010

Fabien Baron
As the founder and creative director of Baron & Baron, Fabien Baron has crafted award-winning identities, package designs, logos, graphics and ads for many of the fashion, cosmetic and fragrance worlds' most visible and influential brands. He has also applied his talents to the design of prominent magazines and books, and is renowned for his photography and directing of groundbreaking television commercials and music videos.

He started his career in 1982 as creative director for Barney's, New York, soon after redesigned Italian Vogue under editor Franca Sozzani and later became creative director of Interview magazine. After founding Baron & Baron, Inc., he relaunched Harper's Bazaar, served as creative director at Calvin Klein, worked with Madonna as art director on her provocative book "Sex," and to this day continues to shape the image of fashion and fragrance brands by creating iconic print, television and package designs.

Baron worked as editor-in-chief and design director of Arena Homme + from 2000-2002, while also debuting his first residential furniture line with Cappellini and contract furniture line with Bernhardt. In 2004, he became creative director of French Vogue under editor-in-chief Carine Roitfeld, and last October rejoined Brant Publications' Interview as editorial director. He also continues to work on a broad range of assignments for a select group of international clients.

Matthew Carter
The son of the typographic historian Harry Carter, Matthew Carter first learned to make metal type by hand before earning a living drawing alphabets for modernist designers in London who at the time were frustrated by the lack of contemporary san serif typefaces. A self-taught designer, his work for the past 50+ years has consistently involved the relationship of design to technology, and he has made type by every imaginable method: metal by hand, metal by machine, photoset, digital, desktop, screen and woodtype for letterpress posters.

In 1965, Carter joined Mergenthaler Linotype, New York as staff designer and helped develop Snell Roundhand, which took advantage of the new medium by introducing a joining script, a style of type that had been impossible to make in metal but worked well in film. He went on to develop Bell Centennial for AT&T phone directories, providing a more legible alternative that also saved space in directory columns. Since computer tools capable of converting an analog image to a digital bitmap did not yet exist, Carter had to draw every character on graph paper, pixel by pixel, and have it encoded at a keyboard, an epic task of hands-on designing.

In a long association with the Linotype companies, he designed ITC Galliard, Helvetica Compressed, Shelley Script, Olympian (for newspaper text), and faces for Greek, Hebrew and Devanagari. In 1981 he joined with three ex-Linotype colleagues to start Bitstream, a digital typefoundry, in Cambridge, Mass., and 10 years later left with a cofounder to start Carter & Cone Type at a time when the personal computer and open font formats made independent typefounding a viable business.

In addition to creating retail fonts for general license (Mantinia, Sophia, Big Figgins, Big Caslon, Miller), his typefaces have been commissioned by Time, Newsweek, U.S. News & World Report, Sports Illustrated, BusinessWeek, The Washington Post, The Boston Globe, The Philadelphia Inquirer, The New York Times (the paper and the magazine), The Guardian and Le Monde. Other custom types have been designed for the Walker Art Center, the Museum of Modern Art and Yale University. In the mid-'90s, Carter worked with Microsoft to develop the "screen fonts" Verdana and Georgia, whose priority was legibility in the inhospitable technical environment of computer monitors.

He has taught classes at the Yale University graphic design school for 30 years, and lectures frequently at conferences and schools. An exhibition of his work, "Typographically Speaking," opened in 2002 and traveled to several American cities. A book of the same name was published by Princeton Architectural Press.

Philip Hays
Upon graduating from Art Center College of Design in Pasadena, Calif., Philip Hays moved to New York and enjoyed immediate success, stretching the conventions for romantic illustrations in magazines such as Seventeen, Cosmopolitan, Redbook and McCalls. "His early watercolor approach, partly inspired by Vuillard, was often quite loose but also extremely detailed, " wrote Steven Heller, who described him as "one of a young band of expressive and interpretative illustrators, including Robert Weaver, Jack Potter, Tom Allen and Robert Andrew Parker who, rather than paint or draw literal scenes based entirely on an author's prose, interpreted texts with an eye toward expressive license. Hays said that representational illustration was an art of nuance, and his work routinely dug below the surface, drawing on Impressionist, Expressionist and Surrealist influences."

He was hired by the School of Visual Arts in 1957 to teach and later chair the illustration department. Younger than many of his students who were attending on the G.I. Bill, Hays introduced novels, plays and films as a way to increase visual and verbal literacy. By the mid-1960s, Hays illustrated fiction in Esquire and visual reportage in Sports Illustrated, and in the 1970s created emotionally arresting portraits of musicians from blues singers Bessie Smith and Billie Holiday to rock'n roll legends Elvis Presley, Jerry Lee Lewis and Eric Clapton which set a new standard for album art and the covers of Rolling Stone.

Hays set aside his career as a professional illustrator in 1978 and accepted an invitation to return to California and join the Art Center as head its illustration department. For the next 24 years, he proved to be as much of a force in education as he had been in illustration, with the Art Center presenting him with the Don Kubly Award for Professional Attainment in 2002. "Philip Hays probably inspired more successful artists than any other teacher I can think of," said Paul Davis of his mentor and friend when Hays received the Society of Illustrators 2000 Distinguished Educators in the Arts award. He retired that year, and passed away in 2005 at age 74.

"I never wanted to be anything but an illustrator," Hays once said. "There were those who separated fine art from illustration, looking down their noses at the latter. Sometimes people would ask if I ever wanted to do my own work, and I always replied, 'Everything I do is my own work.' I loved working against a hard edge, getting an assignment and turning it into my own -- pleasing the client and myself. I was never tempted to be a painter. Andy Warhol, Ben Shahn and Richard Lindner were heroes of mine, primary influences. They instigated the movement, and if I am considered part of the next generation that helped revive the aesthetics of illustration, I am proud."

Brigitte Lacombe
French photographer Brigitte Lacombe (http://www.brigittelacombe.com/index.php) has built an illustrious career as a portrait photographer, as a photographer documenting films from "behind-the-scenes," and as one of the world's most recognized travel photographers.

After first serving as an apprentice in the black & white lab of Elle in Paris, she attended the Cannes Film Festival in 1975 and met actors Dustin Hoffman and Donald Sutherland, who invited her to the film sets of Fellini's Casanova and All the President's Men. Later that year, she worked on Steven Spielberg's Close Encounters of the Third Kind, and was first and only staff photographer for the Lincoln Center Theater in New York for seven years.

Lacombe works with directors Martin Scorsese, Mike Nichols, Sam Mendes, Michael Haneke, David Mamet, Quentin Tarantino and Spike Jonze on many of their films, including The Invention of Hugo Cabret, Shutter Island, The Departed, The Aviator, Gangs of New York, Inglourious Basterds, Nine, The Road, Revolutionary Road, The Reader and Doubt.

She is also a renown travel photographer, winning the Einsenstaedt Award for travel photography in 2000. Under contract with Condé Nast Traveler magazine for more than 25 years, her recent assignments include visits to Lebanon, Oman, Cuba, Haiti, Senegal, Egypt, Mozambique, Syria, Jordan, Bosnia and India.

Lacombe contributes to many publications, including Vanity Fair, The New Yorker, The New York Times Magazine, Time, GQ, German Vogue and Paris Vogue. Her advertising clients include Prada, Hermés, Nespresso, Lancôme, Movado, Rolex, The Metropolitan Opera, HBO, Paramount Pictures and the Weinstein Company.

Earlier this year, in support of the fight against AIDS, Lacombe directed video portraits of 30 actors and musicians for PROJECT (RED). She has also produced a pair of books: "Lacombe anima | persona," her retrospective of photographs from 1975-2008 published by SteidlDangin with an essay by Frank Rich, and "Lacombe cinema | theater," published by Schirmer/Mosel with essays by David Mamet and Adam Gopnik.

Christoph Niemann
Born in Waiblingen, Germany, Christoph Neimann's first professional jobs in New York were internships for Paul Davis in 1995, and a year later for Paula Scher at Pentagram, when he did his first drawings for Rolling Stone and The New York Times Book Review. After his graduation from the art academy in Stuttgart in 1997, he moved to New York and started working as an editorial Illustrator.

Niemann (http://christophniemann.com/) quickly became a regular contributor to many major magazines and newspapers. His illustrations have appeared on the covers of The New York Times Magazine, Wired, Time, Newsweek, Fast Company and Atlantic Monthly. His obsession with politics, economics and culture have made him a staple on the pages of The New York Times Op-ed page and The New York Times Book Review, as well as the financial page of The New Yorker, which has featured his drawings since 1999. He has also illustrated ads for Nike, Microsoft, The Royal Mail, MoMA and Amtrak, and created popular animations for Google.

Neimann has written and illustrated many books, among them "The Pet Dragon", a book that teaches Chinese Characters to young children and "I LEGO N.Y.", in which he has created ultra-abstract miniature sculptures of all things New York. With Nicholas Blechman, a frequent collaborator, he is the creator of the art book series "100%".

In 2008, Neimann started the popular Abstract City visual blog for The New York Times website (http://niemann.blogs.nytimes.com/) in which he explores his obsessions with New York, pop culture, food, music and family life by using a wide range of media — from drawing with coffee on napkins to Legos, from hand-sewn Voodoo puppets to autumn leaves. "Subway," his latest children's book, is based on the Abstract City post "The Boys and the Subway" where he describes a day of riding the subway with his two sons just for fun.

His work has garnered awards from all major design organizations including the Art Directors Club (an ADC Young Gun, the only international, cross-disciplinary, portfolio-based awards competition that identifies the vanguard of creatives under age 30), SPD, AIGA and American Illustration, and has lectured at design conferences in the US, Mexico, Europe, South Africa, Japan, and Australia. At the age of 29, Neimann became the youngest member of AGI (Alliance Graphique Internationale).

George Nelson
George Nelson has been called the "Designer of Modern Design". A prolific writer, designer and creative thinker, Nelson's work includes architecture, furniture, lamps, clocks, exhibits, identity programs, graphics, urban development, numerous books, articles and visual documentaries.

When writing on his own remarkable 50-year career, Nelson described a series of creative "zaps"--moments of out-of-the-blue inspiration "when the solitary individual finds he is connected with a reality he never dreamed of." An early zap came when he was struck by an idea while at the American Academy in Rome: he would travel Europe and interview leading modern architects, hoping to get the articles published in the US. He succeeded, and in the process introduced the domestic design community to the European avant-garde.

Upon returning to the States, Nelson was being named an editor of Architectural Forum magazine. Working on a story in 1942, he was looking at aerial photos of blighted cities when -- zap -- he developed the concept of the downtown pedestrian mall, which was unveiled in the Saturday Evening Post. Dubbed 'The Greening of Main Street", this led the way for urban revitalization. Another zap led to the Storagewall, the first modular storage system and a forerunner of systems furniture. The Storagewall was showcased in a 1945 Life magazine article, and caused a sensation in the furniture industry. Herman Miller founder D.J. DePree saw the article and was so impressed that he paid a visit to Nelson and persuaded him to be the company's director of design, which spurred Nelson to found his design firm, George Nelson & Associates.

The warm personal and professional relationship between Nelson and DePree yielded a stunning range of products for over 25 years, from the playful Marshmallow Sofa to the first L-shaped desk, a precursor of today's workstation. During this period, George Nelson & Associates also created many landmark designs of products, showrooms, and exhibitions for a variety of companies and organizations.

His many honors include work in the permanent collections at the Museum of Modern Art, Brooklyn Museum of Art, Philadelphia Museum of Art, The Henry Ford Museum and other institutions; Lifetime Achievement Award from the American Institute of Graphic Arts; Scholar in Residence, Smithsonian Institution National Museum of Design; chairman, International Design Conference in Aspen; Good Design Award, Museum of Modern Art; Trailblazer Award, National Home Furnishings League; Best Office of the Year, The New York Times; Gold Medal, Art Directors Club, and Prix de Rome for architecture. He died in 1968 at age 78.

Dan Wieden
After graduating from the University of Oregon, Dan Wieden spent a few years in public relations before he applied his writing talent to the advertising business. Twenty-eight years ago, he was a copywriter at a small Portland agency working on the Nike account with his partner David Kennedy when they had a conversation with Nike CEO Phil Knight. He said he wasn't thrilled with the agency but appreciated their talent, and wondered if they had ever thought of starting up their own agency. Shortly after that conversation in 1982, the pair went out on their own and formed Wieden+Kennedy with one small client and five employees.

Almost three decades later, the legacy is still unfolding with nearly 1,000 employees in Portland, New York, London, Amsterdam, Tokyo, Shanghai and Delhi working on projects as varied as branding international companies, producing sports documentaries and releasing some of Japan's best music through W+K Tokyo Lab. While the growth has been satisfying, it's really never been what motivates Wieden: his goal was to start a different type of advertising agency where people could perform at their best without the structures and bureaucracies that plague larger agencies, and an agency that wouldn't lose its creativity as it grew.

While he has won industry recognition and many top awards over the years, Wieden is still known by colleagues and clients as "just a regular guy" trying to make a difference, with a relentless ability to dream and inspire. His fight to remain independent and provide a place where fellow dreamers can work has resulted in some of the industry's best work, and an environment where people and clients can both flourish.

Wieden+Kennedy was chosen by Adweek magazine as Global Network of the Year in 2008. The agency reported $2.08 billion annual capitalized billings in 2009, working with some of the world's most recognizable brands such as Nike, Target, Levi's, ESPN, Coca-Cola, Electronic Arts, Honda, P&G and Nokia.

Winterhouse (William Drenttel and Jessica Helfand)
Jessica Helfand and William Drenttel are partners at Winterhouse (http://www.winterhouse.com/), a design studio in northwest Connecticut. Their work focuses on print and online publishing, educational and cultural institutions, and design programs of social impact.

They are the 2009-10 recipients of Rockefeller Foundation funding to develop a global initiative around design and social innovation; the winners of a 2010 Sappi "Ideas That Matter" grant; and were appointed in 2010 as the first Henry Wolf Residents in Graphic Design at the American Academy in Rome. They are co-founding editors of Design Observer, the leading international website for design, visual and cultural journalism online. In 2006, they founded the Winterhouse Institute, whose initiatives include creation of the AIGA Winterhouse Awards for Design Writing and Criticism and its annual $10,000 award for design writing. More recently, it created the Polling Place Photo Project, a national initiative to document citizen experiences at polling places, conducted during the 2006-08 election cycles.

Jessica Helfand has been senior critic in the graduate program in graphic design at Yale School of Art since 1996. She also teaches the Yale College freshman art seminar Art 001: Studies in Visual Biography, which was inspired by her book, Scrapbooks: An American History, published by Yale University Press. She is the author of three other books on design and cultural criticism: Reinventing the Wheel (2002), Screen: Essays on Graphic Design, New Media and Visual Culture (2001), and Paul Rand: American Modernist (1998). She has written for many publications including Aperture, Communications Arts, Eye Magazine, Los Angeles Times Book Review, Print, and The New Republic.

In 2006, Helfand was appointed by the Postmaster General to the U.S. Citizens Stamp Advisory Committee, where she chairs the design subcommittee. She is a life fellow of the American Antiquarian Society. Before founding Winterhouse, Helfand was an award-winning editorial and interaction designer, working with leading publications and newspapers.

William Drenttel is the editorial director of Design Observer, and directs Winterhouse Institute and it's recent work at the intersection of design and social innovation. He is also design director of Teach For All, an international initiative working towards educational equality globally, and previously served as the creative director of two large literary foundations, Poetry Foundation and Nextbook. He has also published and designed more than 20 books under the Winterhouse imprint, many of them co-published with leading academic publishers.

He is president emeritus of the American Institute of Graphic Arts, a senior faculty fellow at Yale School of Management, and a fellow of the New York Institute of the Humanities at New York University. He has served on the boards of the Cooper-Hewitt National Design Museum, Lingua Franca, Mayo Clinic Center for Innovation, Poetry Society, and Susan Sontag Foundation. Prior to founding Winterhouse, Drenttel was president of Drenttel Doyle Partners and a senior vice president of Saatchi & Saatchi.

The Art Directors Club is the premier organization for integrated media and the first international creative collective of its kind. Founded in New York in 1920, the ADC is a self-funded, not-for-profit membership organization whose mission is to connect creative communications professionals around the globe, and to provoke and elevate world-changing ideas. It focuses on the highest standards of excellence in communications for the industry, and encourages students and young professionals entering the field. ADC provides a forum for creatives in Advertising, Design, Interactive Media and Communications to explore the direction of these rapidly converging industries.

Source:  NEW YORK, August 03, 2010 | SHOOT Publicity Wire

"Essence" magazine’s true color

By Rev. Irene Monroe

There has been a color change at Essence. After forty years of having sisters from the African Diaspora as its fashion director, the new one is white. And the news is sending seismic shock waves to many of its subscribers here in the U.S. and across the globe.

New fashion director Ellana Placas, however, is no novice to dressing black women or to the cultural demands of black women’s fashion taste. Prior to her six months at Essence as a freelancer, Placas worked at two popular ’zines -- O: The Oprah Magazine and US Weekly, both of which are crossover successes.

Placas will make her official debut with Essence this September, commemorating the magazine’s 40th anniversary.

But in this post-racial era where the rigid reigns of race are supposed to be loosening up, should there be outrage in the selection of Ellana Placas as the magazine’s new fashion director?

Essence, like many fashion magazines, has a niche audience. And it’s a magazine with an impressive circulation of roughly over 1 million sister-readers monthly between the ages of 18 and 49. Some of the ire towards the hiring of Placas is the concern that she will "whiten" Essence up, thus destroying the inimitable girlfriend-to-girlfriend style, complexion, and tone of the magazine.

But if truth were told, the elephant in the fashion department of Essence is that the magazine "already takes its cues from non-African-Americans. Most of the stores, designers, TV fashion experts, and stylists that set trends that end up being attributed to African-American celebrities are not African-American," BlackAmericaWeb.com wrote. "Case in point: Rihanna, considered by many to be black music’s preeminent fashion trendsetter, is styled by someone who is not black. Rihanna shares her stylist with the Smiths; Will, Jaden, Willow, and Jada use her as well."

While the magazine purports to be for today’s black women, not every sister sees a glimpse of her countenance in its pages. Long before Placas walked into Essence’s fashion department, the magazine had always showcased a Caucasian-like beauty aesthetic of light-skinned sisters with processed hair on most of its covers, even during our cultural "black is beautiful" era.

Lesbian, bisexual, and trans sisters for the most part are invisible to the magazine. While LBT sisters have been reading Essence since its inception in May 1970, we got a glimpse of our reality in the May 1991 Mother’s Day issue when Linda Villarosa, then senior editor at magazine, co-wrote an article with her mother entitled "Coming Out."

While Villarosa’s "Coming Out" piece signaled to the magazine that lesbians, bisexual, and transwomen are part of the Essence sisterhood, too, the piece wasn’t a breakthrough moment for more stories, photos, and articles about us.

Occasionally, however, we have a token moment. Case in point: This year the magazine for the first time featured "one" of us as same-sex couple.

"I am working on a relationship story for Essence magazine. The piece will highlight several couples and their keys to a successful relationship. I would like to include a Black lesbian couple in my piece. Would you or anyone you know be interested in speaking with me?" freelancer Niema Jordan wrote me in October 2009.

The shock wave about Essence for me is the paucity of out lesbians, bisexual, and transwomen featured and working at the ’zine coupled with the fact that the lack of African American women and men throughout the ranks of the fashion industry is of serious concern. So, I thought the brouhaha about the new selection of Essence’s fashion designer was that it’s editor-in-chief, Angela Burt-Murray, finally hired a gay male or black lesbian. (And yes, that’s right. Many of us sister-lesbians do have style. Dr. Marjorie J. Hill, the Chief Executive Officer of Gay Men’s Health Crisis of NYC and my former mayor of Cambridge, E. Denise Simmons, are just a few of the classic examples.)

After Viacom’s acquisition of Black Entertainment Television (BET), Placas’ hiring at Essence, no doubt, raises grave concern about another Black business takeover now from both inside and out the company. In 2000 Time Warner purchased 49 percent of Essence Communications Partners, and in 2005, Time Warner purchased the remaining 51 percent.

In mainstream fashion magazines white women and gay white men dominate the industry ignoring the plethora of black talent and creativity.

But let’s not confuse a Caucasian-like beauty and heterosexist aesthetic that has dominated Essence’s fashion department since its inception from white business conglomerates vying to take it over.

Some are saying with Placas’ hiring Essence is now showing its true color.

Source: Bay Windows

Megan Fox Named The New Face Of Giorgio Armani Cosmetics

By Anne Lu

Los Angeles, CA, United States (AHN) - The newly married Megan Fox may have lost a lucrative "Transformers" role, but her career, as it seems, is still going strong. The brunette beauty has been named the face of Giorgio Armani make-up line, replacing Dutch model Lara Stone.


Fox, who is also the fashion label's current underwear endorser, has been announced as the face of its cosmetics line.

She said in a statement, "Mr. Armani is an iconic visionary for all things fashion. I'm honored to be associated with him and part of this campaign."

The Italian fashion designer only has praises for the actress, calling her "confident and seductive."

He said, "She embodies the spirit of the women of today… Her beautiful features reveal femininity, sensuality and strength."

Fox wore an Armani Prive gown when she said I Do to fiancé Brian Austin Green in a private wedding ceremony in June.

Source: - AHN

Target To Stage Lights And Fashion Show At The Standard For Fall 2010 Collection

By Anne Lu

New York, NY, United States (AHN) - Retail giant Target is set to launch their Target Fall 2010 collections with a larger-than-life fashion show at The Standard, New York. Target Fashion Spectacular, a part-fashion show, part-light show, will be taking over the hotel on August 18.

 
Sixty-six dancers dressed in the latest styles are expected to perform choreography synchronized with fast-paced lighting patterns to an original music in 155 rooms of the venue.

A presentation will simultaneously be held at the street level where models wearing 25 of the newest looks from the fall Target collection will appear in a nine-room replica stage that mirrors the hotel's windows.

For guests that won't make it to the New York event, there will be a live streaming broadcast at the retailer's Facebook page.

Senior VP, Target, Trish Adams said, "Target wanted to capture the excitement of our affordable fall fashion collections in a way that no one has seen before. Using New York City as a backdrop, we're taking the runway show concept to a whole new level."

"Our looks will be lighting up the night sky on August 18th."

The Target Kaleidoscopic Fashion Spectacular will feature men's and women's collections, as well as accessories, from Mossimo, Merona, Converse, One Star, Xhilaration, Pure Energy, and Liz Lange for Target.

The event is free to the public.

Source: - AHN

Go get a new face!

By SHEILA KUMAR

In an extension of the look good, feel good, reap good philosophy, young men and women are going under the plastic surgeon's knife quite heedlessly

Bollywood actress Koena Mitra, sporting a tattoo on her back, walks the ramp at a fashion event. File photo
AFP Bollywood actress Koena Mitra, sporting a tattoo on her 
back, walks the ramp at a fashion event. File photo
 
One almost wishes this could be dismissed as some crazy one-off fad. But it isn't. Reports from at least two of India's metros, Mumbai and Delhi, suggest that a new nose, a deep dimple, the banishing of male breasts and suchlike are just what youngsters want before joining university or starting a new job.

A new personality obviously equals new confidence to take on the world for these people. When it comes to inspiration, they seem to be vulnerable to all sorts of influence, be it the faces of the cookie-cutter telly serials or articles in the media on how the better looker is awarded the better job.

At which point, one must bring up the case of Debrahlee Lorenzana in the U.S., who in June this year filed a suit against her office, a prominent banking outfit, charging that she was fired for being too beautiful.

This, then, is a twist to the cosmetic surgery boom that prevailed across the country from Bangalore to Bhopal, Jabalpur to Jhansi. A few years ago, it was all about liposuction, male breast reduction, rhinoplasty but the parameters were also clearer: it was the middle-aged man or woman who went under the knife. Which meant it was all about adults taking some kind of informed decision.

Today when one hears of people in their late teens and early twenties who would rather work on their face than their skill sets or CV, it is a telling statement on the state of society today. South of the Vindhyas, however, getting your appearance fixed still seems to be a strange notion. Says Vijay Nagaswami, Chennai-based psychotherapist and relationships consultant: “I haven't observed such a trend and all I have to say is that every generation has its own pet body peeve and the need to make a statement. However, when this gets carried to extremes and is no more a fad, but related to one's self-esteem, we have a problem on our hands. For instance seeing a plastic surgeon to re-shape a nose, especially when it's not broken, or trying to surgically sculpt Jessica Alba's face on to one's own just to please a boyfriend — that's when one realises that all's not well with the world.”

The doctor further says, “Unfortunately, the attitude seems to be, if I'm not born with it, I'll pay to get it, whether this applies to a nose a chin dimple, or whatever. This puts us on a slippery slope. It means we derive our self-esteem from what we look like and not who we are. If this becomes the rule rather than the exception, we are going to require plastic surgical makeovers every few years. But if we learn to accept and love our faces and bodies, the way they are, then we can really start loving who we are as well.”

Says Ritchika Dsouza, in her early 20s and working for an NGO in Bangalore: “I have not heard about stuff like this happening, not here in Bangalore, not when I was studying in Mumbai or working in Hyderabad. Then again, I'm not surprised about stuff like this happening in Delhi; I think girls and boys in Delhi can go really crazy about their appearance!”

Megha Radhakrishnan, in her twenties and working in Chennai, is charitable when she says, “Personally, I do agree with the ‘look-good-feel-good' maxim. But to what extent can you play with it? If you were applying for a job as a model, actor, a media-based role, maybe (and I still say maybe) you would think about stuff like this. But for university, for a new job? That's stretching it a bit too far. I have to ask: where are your values placed? In your skills, the kind of person you are, ability, credentials... or the shape of your nose? I guess it shows where we place our focus.”

And when it comes to skewered focus, one cannot escape the responsibility of parents, either. Children consciously or unconsciously emulate the ways and beliefs of their parents. A healthy sense of self-esteem is one vital asset parents can hand down to their offspring. Contrarily, feelings of body inadequacy is a debilitating liability children sometimes pick up on, with devastating and far-reaching consequences.

This wannabe fad can be caught before it becomes a trend. All it takes is a healthy dose of self-esteem, accepting what we look like, discerning that our personalities are not shaped by our appearance, playing to our strengths. It's not easy but then, nothing that is worthwhile in life is easy.

Source: The Hindu

The sign of the times

By Joyce Oreña 

Straightforward and realistic — that describes both next season’s fashion and President Aquino’s first State of the Nation Address. “Our administration is facing a forked road. In one direction, decisions are made to protect the welfare of our people; to look after the interest of the majority; to have a firm grip on principles; and to be faithful to the public servant’s sworn oath to serve the country honestly. This is the straight path,” goes President Aquino’s opening line.

Fashion, too, gets a reality check. Fashion is back to creating clothes we can relate to. Designers are listening to their consumers now more than ever. The season is all about who wears the clothes. Fashion is focusing on design, cut and fabric. The season’s fashion statement is the power of design — well-made clothes for all ages. Right now, there is a vast democracy of fashion choices — and designs that are relevant beyond trends. Let me repeat a statement I wrote in one of my past articles and which continues to be apropos: remember that a successful design combines style and substance at a smart price.

It’s the time for designers to stay true and authentic. No more gimmickry just to sell clothes or land in the magazine covers and pages. The season is about classic yet modern designs. It embraces what a woman is all about — what a real woman would want to wear. The fashion collections feature feminine basics that are updated and inventive. Understated and sensible designs rule the runways. Take notes on the season’s latest trends and work on the looks you would want to wear later. It seems that a number of decades make a comeback in the forms of ladylike elegance of the nineties, full skirts and cinched waists of the ‘50s, the ‘60s shifts and bellbottoms and the ‘70s sensual styles. Countryside plaids and tweeds get urbanized. New cuts update the rustic fabrics. Knits go back to the familiar — the comforts of home. Sweaters are cozy and relaxed yet sophisticated. Skirts go long but focus on a pared-down look. Easy sweaters are the perfect pair to achieve this effortless style. Schoolgirl references grow up. The youthful takes are polished for the modern woman. Trousers get real in forms that flatter and lengthen the leg. Velvet is the fabric of the moment. There is so much to look forward to. Impeccably tailored clothes that are wearable and up-to-date define the season’s style.

Be smart. Invest wisely and buy less. Build a sustainable wardrobe of basics. For those smarter ones who have already started, now is the time to look at what will best complement your pieces. Reinforce your keen fashion follower instinct. Know which ones are keepers. Distinguish pieces that will go beyond fashion inclinations. Several summer trends are still of-the-moment. Take a look at the constant prevalence of the neutral color palette from nude tones to whites, grays and browns. Utilitarian continues to be chic. All-American sportswear is unstoppable. The military influence still dominates. Grown-up and pulled-together looks — dressing like a real woman keeps going strong.

Buy smart. Don’t go crazy just because you think it’s a great deal. Don’t you ever wonder how some brands sell for a steal? The modern woman is also an ethical shopper. Some brands manufacture in countries where they do not respect labor rights, hence, the low-priced articles. Please don’t help them get bigger. Support the brands that are responsible and practice fair trade. Enjoy fashion with a clear conscience.

Now that fashion has given us what we want, there are no more excuses. It’s the moment to stay true to oneself. Dress to your personality. As I always say, true style is more about how you wear it rather than what you wear.

Source: The Philippine Star

Brand power in hands of food fashion police

By Lou Cooper 

Research made available to Marketing Week has identified a small but influential group of ’taste setters’ that food and drink brands need to get on board before a product launch.

Ever wondered how a food or drink product becomes cool? Or what makes a new chocolate bar or soft drink fly off the shelves? According to a new study, it is down to the 7% of UK consumers who are “taste setters”.

The Oxford Research Agency (TORA), which advises retailers and manufacturers on how to successfully develop new products, polled 1,500 people from six countries to find out what makes people buy new food and drink products and the factors that persuade them to try something new.
The research suggests that food and drink marketers should concentrate their efforts on this small group of influential consumers because they affect the attitudes of the rest of the population.

Taste setters are often the first to buy new brands or products and tell their friends and family about them. They will often talk about food-related

TV programmes or magazine articles and are frequently asked for their opinion. So, although they are a small group, they can be highly influential.

A product launch that gets 60% distribution in the first few weeks of launch will see “taste setters” buying the brand, says TORA chief executive Chris Sinclair.

“As well as talking to their friends, taste setters also like to tell the world when they’ve discovered something new and social media is a fantastic avenue through which they can do that.”

Unilever-owned Marmite is a product that has used social media platforms to target taste setters, with its recent campaign for Marmite XO, says Sinclair. The variant is a limited edition, extra strong, extra mature version of the yeast spread.

It used just 30 people to launch the product via social media, and did no other advertising. “They really found the people that would evangelise about the product,” Sinclair says. (See The Frontline, right.)

“Taste adopters” are the second group to purchase new food and drink brands, buying these products a month or so after seeing them on the shelf, with 21% of UK consumers belonging to this category. “Members of this group will need three or four exposures to the product in store before they really start considering it,” Sinclair says.


While they are early advocates of a new product, these adopters may need a recommendation from a friend to buy it, adds Sinclair. “These are people who need a bit of reassurance that the new product is worth the investment. They will usually have had a personal recommendation, generally from a “taste setter” or a celebrity, TV programme or magazine article. This will give them the confidence to take that first step,” he continues.

UK consumers are more willing to try new food and drink products, compared with those surveyed from the US, China, France, Germany or Brazil. More than three-quarters of those polled in the UK really enjoy trying new foods and drinks, which means there may be scope to transform more people into taste setters.

“Marketers that can convert taste adopters into taste setters will get a quicker traction in the market and the brand’s product will stay in the market a lot longer than others,” says Sinclair.

Taste followers

However, the largest group is the “taste followers”, which accounts for more than 70% of UK consumers, according to the research. Many people in this group like to try new food and drink products, but typically only do so if they come with a personal recommendation.

Recommendations from family and friends carry considerably more weight than other traditional and more expensive forms of communication, according to the study.

Personal recommendations of new products are important to 51% of us, ahead of TV, radio or press adverts (22%) or online ads (17%).

Although identifying and targeting key advocates is important, Sinclair warns that price is still a major factor in a consumer’s decision to purchase. This is particularly the case among the 45% of UK consumers who have been actively trying to save money when buying food and drink over the past six months.

“Price is very important. Own-label products, such as Waitrose Essentials have changed people’s perceptions over the past couple of years,” says Sinclair. “They have satisfied their current consumers and stopped them going elsewhere. They gave them a real choice.”

Control costs
About two-thirds of those surveyed who are in employment prepare lunch at home and take it into work, a further indication of UK consumers’ desire to control costs. Just 11% go out to eat and 14% buy food and eat it at their desks. This is in contrast to people surveyed in China, where a third prepare lunch at home and take it to work and 38% go out to eat.

When choosing products, healthy eating is also high on many people’s list of concerns. About a quarter of those in the UK have been on a diet in the last year, but only 16% of people say they weigh less than a year ago. However, the UK is top of the five-a-day day league table, with 72% eating five portions of fruit and vegetables a day either very or quite frequently.

Almost 30% of UK consumers are spending less on food overall, so the growth target for marketers in 2010/11 may be the taste setters, especially in areas such as healthy eating. People in every category in this study are also prepared to spend money on good nutritional food.

If marketers can convince the trendsetters and early adopters to spend even more in these areas, it could well help the food and drink industry to successfully launch new products over the next 12 months.
the frontline
WE ASK MARKETERS ON THE FRONTLINE WHETHER OUR ’TRENDS’ RESEARCH MATCHES THEIR EXPERIENCE ON THE GROUND

Tom Denyard, Marketing manager, Marmite

The research is really borne out in what we observed through people’s behaviour over the four months that we worked on the Marmite XO launch. It provides an insight into how you can target a small group of people to build credibility, particularly for a new product proposition.

The point about friends and family recommendations, or alternative reliable sources being a key force, is absolutely right. The days of being able to whack a product on TV and expecting people to go and try it are gone. People are looking for a bit more certainty than that and our approach to the XO launch is one way of delivering it.

We recruited the 30 people in the social media and online space who were creating the most positive and significant content about Marmite. We identified über-lovers who were also influential - food bloggers, Facebook users, people who were active on Twitter - and brought them together for a real-life experience.
We created the “Marmarati” by inviting these “taste setters” to attend a secret event in London. We made them the first circle of the “Marmarati” and conducted a blind tasting of three versions of Marmite XO.
We took their feedback and sent them away to recruit the second circle. These were people who would get to taste the prototype product the feedback had helped design and help us to make the final tweaks before we took it to market.

Potential second circle people submitted examples of their devotion to the brand to a website. There was a public vote on those submissions of devotion and the best 160 were brought into the second circle. Each person was issued with a limited edition commemorative jar of prototype XO, as well as a tasting sample.
They were asked to record their reaction videos, post them back to the website and go and talk about their experience to again amplify the noise around what it was we were bringing to market. Then we launched it.
We went from 30 people being interested and trying the product, to 750 people submitting content and trying to get hold of the prototype, to 200 people actually trying the prototype, to actually interacting with about 750,000 people through various social media avenues.

We did no other advertising. We literally launched the product through social media and a simple press release. We were entirely reliant on that group of 30 people to try the product and go away and explode the idea and the desire for other people to get their hands on it for us.

It took us a little bit by surprise. We knew we had some traction in the social media space - our Facebook fan base for example is large and active. But I don’t think we really expected it to go quite as big as it did.

Bernard Broderick, Sales director, Broderick’s

Broderick’s is an Irish [cakes and sweets] brand that we launched in the UK this year. We started our social media activity in May because we wanted a three-month build-up before we started to get some national distribution. We didn’t want it to feel like a big brand trying to weigh in heavily, but aimed to build in an organic way.

We aimed to recruit some really good brand advocates, who would then become trendsetters for us and push the brand out to a wider audience. Some brands would pay for advocates, but for us it’s been a slower build.
We’ve put out information about our brand to key opinion formers in the industry, we then moved that out to people we know are interested in and comment on food and drink, and now we are starting to naturally build up our customer numbers. Whenever we do trade shows, or anypromotional launches, we direct people to our digital and social platforms, which allows them to interact with the brand.

We’ve always tried to have a daily dialogue with our fans via Twitter and Facebook. When we launched our digital presence, we used a viral film that introduced the characters Bernard and Barry Broderick. The digital presence enabled people to understand who they were and the relationship between them as brothers, which has helped to set the tone. We pushed that out on the website and through YouTube.

We’re not looking to buy our way into favourability. We want the growth to be made on real recommendations from family and friends, not some spam-style seeding, so I agree with the sentiment of the research findings.









































Source: Marketing Week

Wednesday, August 4, 2010

A sneak peak at Glamorama fashions

By SARA GLASSMAN, Star Tribune 

Macy's annual extravaganza will feature music by Macy Gray and Eric Hutchinson, but for fashionistas, the real stars will be the clothes. We got a sneak peek as the models tried on designer ensembles.


Laura Schara closely eyed the 11 models lined up in a conference room at Macy's Minneapolis store. She hesitated, then stooped down to examine the ankle on a pair of tight black SportMax pants. "Can we shorten this so you can still see the zipper?" she called to the seamstress.

It was the Sunday before Glamorama, and Schara, fashion director for the annual fashion show and daughter of outdoors man Ron Schara, was just getting warmed up. It would take more than nine hours of fittings to bring the show a step closer to being the hot-ticket event it's been for 18 years. "The fashion in the show sets the tone for fall fashion as a whole for the city," she said.

Schara should know. She's been working on the show 10 years, gradually making her way to the top job. It takes her much of the year to put together the hour long event, doing everything from attending Fashion Week in New York, to casting models, to outfitting them for the runway.

Of course, she's not alone. She directs a team of seven stylists and a seamstress. And, on the day of the show, 42 dressers pitch in to dress 42 models, who hail from Los Angeles, Chicago, New York, Atlanta, even Sweden.

"We fit the whole show in one day -- this train moves," said Schara.

The fittings are only part of Glamorama, which includes live music and choreographed dancers (this year led by Brian Friedman of "So You Think You Can Dance?").

But the fittings, which take place out of the spotlight, are at the heart of the show. And, according to Schara, they're a bit like "playing musical chairs with outfits."

She regularly swaps ensembles from model to model and changes out shoes, hats, belts and handbags to get the right look for the runway.

"Accessorizing enough without over-accessorizing" is the goal, she said. Often, designers don't supply enough shoes or accessories with the runway looks, so the Macy's team has to provide its own props.

"Sometimes we doctor shoes, like we might add rhinestones," said Schara.

And, if they don't have something, they'll make it or find it. When a stiff coat required cinching at the waist, Schara decided to bring in a leather belt from her own closet.

Just after 11 p.m. Sunday, Schara and her team had assembled all 157 looks and assigned them to models. After that, the outfits were altered, restyled and re-accessorized. On Wednesday, the dress rehearsals began. But Schara will probably continue tweaking and calling for alterations until five minutes before the show, she said.

One outfit Schara is still undecided about? Her own. "Many times your feet make your wardrobe decisions for you," she said. "It's all pending on if I can handle sky-high platforms by Friday."

Sara Glassman • 612-673-7177
Source: StarTribune.Com

Fashion Model Gisele Bundchen's Breastfeeding Comments Cause Controversy

By: Catherine Anne Alipio

Gisele Bundchen
Supermodel Gisele Bundchen has sparked controversy over an interview she did with Harper's Bazaar UK. In the September issue of the magazine, Bundchen states that a worldwide law should be passed to require all mothers to breastfeed their babies. She mentions that many people in the US don't believe in breastfeeding and goes on to say, "Are you going to give chemical food to your child when they are so little?"

Once Gisele Bundchen's breastfeeding comments were made public, she was criticized for her insensitive remarks, which forced Bundchen to take to her blog to post a public apology. On Monday evening, Bundchen apologized about her comments in Harper's Bazaar UK, stating "My intention in making a comment about the importance of breastfeeding has nothing to do with the law."


Gisele Bundchen expecting baby girl?
While I'm sure most would agree that it is the personal belief and decision of the mother to decide whether or not to breastfeed, I think Bundchen's comments were so controversial not because of her stance but because she gave such an opposing statement to mothers who didn't share her view. Declaring that breastfeeding should be a manner of the law is much more than just stating an opinion. As a new mother of a baby boy this past December, Gisele Bundchen may claim that she never meant breastfeeding had anything to do with law, however, she mentioned it in her interview, and is only backing away from her previous comments after controversy exploded.


Gisele Bundchen pregnant?
This isn't the first time Bundchen has angered parents with her comments. Back in January of 2007, the supermodel from Brazil claimed that the fashion industry should not be blamed or held responsible for anorexia. Instead, she said, "the parents are responsible, not fashion." Following the death of a 21-yearold Brazilian model, anorexia had become a highly talked about issue in the fashion industry and the country of Brazil. Bundchen told Brazil's O Globo newspaper that it was because of her strong family base that she never suffered from problems like anorexia.


Bundchen further told the O Globo newspaper that it's normal to be thin in fashion, and that some people
Gisele Bundchen
were just born with the right genes to be in fashion. She also continued on to say that, even though thin is the standard for models, it's not a good generalization to think that all models have a problem with anorexia.

Her comments seemed insensitive to those who have struggled with anorexia and the families who have experience with it. It left many angry and resentful toward the "genetically perfect" supermodel who has admitted to being naturally thin her entire life. Many didn't like her putting sole blame on parents and families as the reason why daughters become anorexic. Many felt it was a combination of reasons why some turn to eating disorders like anorexia, and the fashion industry should be held accountable.

Brady's lovechild is 100 percent mine, says Gisele Bundchen

From Gisele Bundchen's previous controversial comments to the present day's, I think it's safe to say she will not be affected in any negative way. After her views on anorexia came to light, Bundchen still continued on with her career and is still the highest-paid fashion model today. I think, if anything, Bundchen should try to learn from her past interview mistakes by keeping her thoughts to herself, to avoid having her foot stuck in her mouth again, and do what she does best: model.


Source: NY Daily News: Gisele Bundchen responds to controversy over her breastfeeding comments & People: Gisele Bundchen Blames Models' Families for Anorexia

Lindsay Lohan poses for fashion designer... but that's not even her body!!

After going to the trouble of finding a celebrity to front your fashion range, you'd think you'd want to make the most of their time on screen.

But keen-eyed Lindsay Lohan fans might notice something strange about the actresses Marc Ecko's Muse campaign - it's not really her.

The designer chose to superimpose Lohan's face over another body for the advert.
New advert: Lindsay Lohan poses as the face of Marc Ecko's new Muse campaign
New advert: Lindsay Lohan poses as the face of Marc Ecko's new Muse campaign
_____________________________________________________________________

And with her face mostly covered by a mask there isn't much Lindsay on show.

It might seem a strange way of using an expensive hired celebrity, but Ecko claimed Lindsay's role was to act as inspiration.

'A muse has the ability to inspire the artist to create in ways they wouldn’t otherwise contemplate,' he said.

'For better, or worse, they make you feel something, emotionally. I cast Lindsay because people are fascinated with her - they can either feel good or bad things, but they are feeling some type of emotion.

'She’s a pop culture icon.'
Body double: Lindsay didn't feel the advert herself
Body double: Lindsay didn't feel the advert herself
___________________________________________________________

Here's Lindsay: But under the mask it's a model's body
Here's Lindsay: But under the mask it's a model's body
__________________________________________________________

It's likely to be the 24-year-old's last acting campaign for a while.

This week she was released from jail after serving a 13-day stretch of a 90-day sentence and has already checked into rehab.

Lindsay's mother Dina says her daughter is settling in 'great'.

She and her younger daughter Ali, 16, visited Lindsay earlier this week.

The UCLA medical centre where Lohan is staying, is where Britney Spears was held in 2008 and is a secure facility.
Hiding away: Lindsay peeks out from behind her mask
Hiding away: Lindsay peeks out from behind her mask
__________________________________________________________

Source: Mail Online

Vanity Fair - Best Dressesed List for 2010.


The Soccer sensation David Beckham shows off his fashionable side during the 2010 World Cup. He is someone who knows how to look good no matter what he’s wearing – a soccer jersey or a suit. (Francois-xavier Marit / AFP - Getty Images) Vanity Fair's best dressed list for 2010.



 
 If nothing else, singer Lady Gaga's outlandish, creative outfits are a conversation starter. From wild masks to crucifixes, the pop star always wears a getup that ups the shock factor. Some of her favorite labels are Armani, Alexander McQueen, Marc Jacobs and Philip Treacy. (Larry Busacca / Getty Images)




NBC NIghtly News anchor Brian Williams makes the list for his dapper, put-together look. He isn't shy about admitting his love for pleated pants and says his fashion idol is Steve McQueen. (Henry S. Dziekan Iii / Getty Images)



Actor Alec Baldwin, who has seen a major comeback after starring as the impeccable Jack Donaghy on "30 Rock," says he takes his fashion cues from James Bond. (Kevork Djansezian / Getty Images)



Indian actor and jewelry designer Waris Ahluwalia says his signature fashion item is a scarf, and that his favorite footwear is a pair of pink suede handmade shoes by George Esquivel. (Astrid Stawiarz / Getty Images)
 
Director Martin Scorsese sports classic style, and is often seen wearing Armani or Joseph Abboud. (Michael Buckner / Getty Images for Doha Film Insti)


American designer Tory Burch has won several fashion awards for her designs. Her style has been described as "preppy-boho" and her pieces have often appeared on the TV show "Gossip Girl." (Stephen Lovekin / Getty Images) 



Editor-in-chief of Glamor magazine, Cindi Leive knows a thing or two about style. She made Vanity Fair's list in the "professionals" category and tells the magazine that her favorite shoes are a pair of "leopard-print Louboutin sky-high platforms." (Michael Loccisano / Getty Images)

Oscar-winning film producer Countess Marina Cicogna Volpi doesn’t have to wear something extravagant to feel good. Her favorite piece of clothing is a white cotton T-shirt. 



This is the second year Cayetana Fitz-James Stuart is on Vanity Fair’s best dressed list after making the list in 2009. She is currently the head of the House of Alba, a title held by only two other women. (Cristina Quicler / AFP/Getty Images)



This English actress can be seen showing off her fashionable side at red carpet events everywhere. She is known for her unique fashion choices and hairstyles. (Dave Hogan / Getty Images) 



John Galliano is the chief designer of France’s well-known fashion company Christian Dior. He is known for dressing high-profile models, including Kate Moss, Helena Christensen and Naomi Campbell. (Eric Ryan / Getty Images Contributor)


Actress Maggie Gyllenhaal and brother Jake Gyllenhaal are always dressed to impress. One of Maggie’s best-known roles was Rachel in “The Dark Knight.” (Frazer Harrison / Getty Images)


It’s no surprise Stacey Bendet Eisner is on Vanity Fair’s best dressed list. She is the CEO of the New York-based fashion company Alice + Olivia. (Andrew H. Walker / Getty Images)
 

Wendi Murdoch is no stranger to the media. She is a former vice president of News Corporation’s STAR TV in Hong Kong. Wendi resides in New York City with husband Rupert Murdoch and their two daughters. (Amy Sussman / Getty Images)



Princess Mary of Denmark shows off her sleek style. She says her favorite labels include Hermes, Prada, Burberry and Chanel. (Adam Osterman / Getty Images)



Britain's first lady, Samantha Cameron, is the first pregnant woman to make the list. For formal events, she's often seen wearing brooches or bib necklaces. (Peter Macdiarmid / Getty Images) 


Source & Picture Courtesy: examiner.com

Vanity Fair releases best dressed list for 2010

First lady Michelle Obama, whose fashion decisions -- from wearing shorts to bearing her arms -- have captured the attention of Washington and the world, made the list for the second time in a row. Indie designers like Isabel Toledo and Jason Wu catapulted to success after dressing her. Here, at the 2010 White House state dinner, she wears a one-shoulder, sapphire blue Peter Soronen gown. (Mark Wilson / Getty Images)
Michelle Obama, Lady Gaga, Alec Baldwin, NBC’s Nightly news anchor, Brian Williams and David Beckham are just of few of the people on Vanity Fair’s Best-Dressed List for 2010.

Of course Lady Gaga won in the Originals category and is the third time Brian Williams has been on the International Best Dressed list for men. Alec Baldwin also joined Williams on the International Best Dressed list for men and Michelle Obama is on the International Best Dressed list for women. Soccer player David Beckham was selected to be on the Hall of Fame list.

“Michelle Obama plays a very important role in fashion right now,” Amy Fine Collins, Vanity Fair special correspondent, told TODAY’s Matt Lauer Tuesday, referring to the U.S. first lady’s mix of designer labels with affordable brands like J. Crew, Talbots and Isaac Mizrahi’s Liz Claiborne.

It's not as easy as you think to be on Vanity Fair's best dressed list.  Several thousand ballots are circulated to designers, retailers, editors, filmmakers, social figures, photographers, former winners and entertainers, with the intention of honoring individuality, chic and originality on the highest level. A small committee oversees the popular vote to ensure balance and categorizes individuals.

Below is Vanity Fair’s complete 2010 Best-Dressed List.
 

INTERNATIONAL BEST-DRESSED LIST: WOMEN  
  • HOPE ATHERTON, artist
  • CARLA BRUNI-SARKOZY, First Lady, France
  • SAMANTHA CAMERON, First Lady, U.K.
  • NORA EPHRON, writer, director
  • DIANE KRUGER, actress
  • H.R.H. CROWN PRINCESS MARY OF DENMARK
  • CAREY MULLIGAN, actress
  • WENDI MURDOCH, movie producer
  • MICHELLE OBAMA, First Lady, U.S.A.
  • TATIANA SANTO DOMINGO, socialite
 

INTERNATIONAL BEST-DRESSED LIST: MEN
 

  • WARIS AHLUWALIA, jeweler, actor
  • ANDRÉ BALAZS, hotelier
  • ALEC BALDWIN, actor
  • JAVIER BARDEM, actor
  • ARKI BUSSON, financier
  • H.S.H. PRINCE HEINRICH VON UND ZU FÜRSTENBERG
  • JAY PENSKE, chairman and C.E.O., Mail.com Media Corp.
  • MARTIN SCORSESE, film director
  • BRIAN WILLIAMS, anchor and managing editor, NBC Nightly News
  • PHARRELL WILLIAMS, recording artist
  • FASHION PROFESSIONALS
  • TORY BURCH, designer
  • GEORGINA CHAPMAN, co-founder and designer, Marchesa
  • STACEY BENDET EISNER, designer-owner of Alice & Olivia
  • ALBER ELBAZ, designer, creative director, Lanvin
  • CINDI LEIVE, editor in chief, Glamour

ORIGINALS
 

  • DUCHESS OF ALBA, president of the House of Alba Foundation
  • HELENA BONHAM CARTER, actress
  • LADY GAGA, entertainer
  • JOHN GALLIANO, fashion designer, chief designer at Dior
  • LORRY NEWHOUSE, artist, accessories designer
  • BRUCE WEBER, photographer, filmmaker

SIBLINGS  

  • ANDREW LAUREN, movie producer, actor, 
  • DAVID LAUREN, senior V.P. advertising, marketing, and corporate communications, 
  • Ralph Lauren, and 
  • DYLAN LAUREN, C.E.O. and founder, Dylan’s

Candy Bar

 
  • JULIA RESTOIN-ROITFIELD, art director, and VLADIMIR RESTOIN-ROITFIELD, art dealer
  • CHARLOTTE GAINSBOURG, actress, singer, and LOU DOILLON, model, actress
  • MAGGIE GYLLENHAAL, actress, and JAKE GYLLENHAAL, actor


COUPLES
 

  • PIERRE CASIRAGHI, student, and BEATRICE BORROMEO, writer
  • LIZZIE TISCH, consultant, and JONATHAN TISCH, chairman and C.E.O., Loews Hotels
  • CHRISTY TURLINGTON, model, documentary filmmaker, and ED BURNS, writer, director
  • DELFINA BLAQUIER, photographer, and NACHO FIGUERAS, polo player
 

Hall of Fame
 

  • DAVID BECKHAM, soccer player
  • COUNTESS MARINA CICOGNA, writer
  • H.H. PRINCESS MAFALDA OF HESSE
  • JULIA KOCH
  • ALEXANDRA KOTUR, style director, Vogue
Source: examiner.com